![]() There are barely any choruses on Sea of Cowards, but that's not to say there are no hooks: the catchiness is all in the thud and flail of the band. Together, they sound like two feral cats circling each other outside a dumpster, trying to figure out whether to fuck or fight.įor two people capable of writing gloriously catchy rock choruses in their sleep, White and Mosshart sure stay away from them here. But even more than on Horehound, Mosshart stays within White's freaked-out range, each singer firing off one outrageous non sequitur after another. When Mosshart's howling full-bore, her bottomless blues wail could pass for PJ Harvey's. But on Sea of Cowards, the two split lead-vocal duties almost completely down the middle, with White unleashing his full range of vocal tics: yelps, mumbles, arch sneers, growls, screeches, groans. Mosshart mirrors every one of those inflections, to the point where it's not always immediately apparent which one is singing. On last year's Dead Weather debut Horehound, White largely ceded frontperson duties to Kills singer Alison Mosshart.
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